panta rhei

Following the thematic pattern – everything flows – there are no drafts, but only loose pre-arrangements of modules that are placed on a surface made of Chinese rice paper which are later used for printing.

In the lower third of the painting, the motive “flows” seemingly from left to right without any beginning or end. The upper and lower end of the painting leaves open spaces for contemplation.

My choice of long formats reflects a fascination for Chinese scroll paintings which was sparked during a stay in China in 2007.